Sunday, October 31, 2010

¡Viva Cristo Rey!

With the foolishness of the American election season upon us, with Jacobins, Whigs, Fabians, and Bonapartists of all varieties trying to sell their vacuous selves into the highest offices in the land with but carefully calculated buzzwords, and thus to further legitimate in the eyes of the general public their rebellion against the divine and reasonable and just order of human society--even the supposed conservatives among them ("Tea Party?")--and also with the 15th anniversary of the referendum that would have made been the first step of making a republic out of my beloved Québec being defeated by a razor-thin margin yesterday, it is providential that Mother Church, according to the traditional calendar, presents to us in solemn memorial the King of Kings and the Lord of Lords, before Whom even the mightiest empire, with all its military force and sweeping plans for social improvement, is of as little substance as an anthill is to us.

Lest we ever think the social kingship of Christ may come about through statist means:

I met a traveller from an antique land
Who said: "Two vast and trunkless legs of stone
Stand in the desert. Near them on the sand,
Half sunk, a shattered visage lies, whose frown
And wrinkled lip and sneer of cold command
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them and the heart that fed.
And on the pedestal these words appear:
'My name is Ozymandias, King of Kings:
Look on my works, ye mighty, and despair!'
Nothing beside remains. Round the decay
Of that colossal wreck, boundless and bare,
The lone and level sands stretch far away".

Sic transit gloria mundi. Yet our sovereign King shall remain.


Thanks to James MacMillan and Musica Intima for the above.

Most sweet Jesus, Redeemer of the human race, look down upon us humbly prostrate before you. We are yours, and yours we wish to be; but to be more surely united with you, behold each one of us freely consecrates himself today to your Most Sacred Heart. Many indeed have never known you; many, too, despising your precepts, have rejected you. Have mercy on them all, most merciful Jesus, and draw them to your Sacred Heart. Be King, O Lord, not only of the faithful who have never forsaken you, but also of the prodigal children who have abandoned you; grant that they may quickly return to their Father's house, lest they die of wretchedness and hunger. Be King of those who are deceived by erroneous opinions, or whom discord keeps aloof, and call them back to the harbor of truth and the unity of faith, so that soon there may be but one flock and one Shepherd [particularly on this "Reformation Day"]. Grant, O Lord, to your Church assurance of freedom and immunity from harm; give tranquility of order to all nations; make the earth resound from pole to pole with one cry: Praise to the divine Heart that wrought our salvation; to it be glory and honor for ever. Amen.

Saturday, October 30, 2010

For Hallowe'en


"The Raven"
Edgar Allen Poe

Once upon a midnight dreary, while I pondered weak and weary,
Over many a quaint and curious volume of forgotten lore,
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
''Tis some visitor,' I muttered, 'tapping at my chamber door -
Only this, and nothing more.'

Ah, distinctly I remember it was in the bleak December,
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow; - vainly I had sought to borrow
From my books surcease of sorrow - sorrow for the lost Lenore -
For the rare and radiant maiden whom the angels named Lenore -
Nameless here for evermore.

And the silken sad uncertain rustling of each purple curtain
Thrilled me - filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating
''Tis some visitor entreating entrance at my chamber door -
Some late visitor entreating entrance at my chamber door; -
This it is, and nothing more,'

Presently my soul grew stronger; hesitating then no longer,
'Sir,' said I, 'or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you' - here I opened wide the door; -
Darkness there, and nothing more.

Deep into that darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortal ever dared to dream before;
But the silence was unbroken, and the darkness gave no token,
And the only word there spoken was the whispered word, 'Lenore!'
This I whispered, and an echo murmured back the word, 'Lenore!'
Merely this and nothing more.

Back into the chamber turning, all my soul within me burning,
Soon again I heard a tapping somewhat louder than before.
'Surely,' said I, 'surely that is something at my window lattice;
Let me see then, what thereat is, and this mystery explore -
Let my heart be still a moment and this mystery explore; -
'Tis the wind and nothing more!'

Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately raven of the saintly days of yore.
Not the least obeisance made he; not a minute stopped or stayed he;
But, with mien of lord or lady, perched above my chamber door -
Perched upon a bust of Pallas just above my chamber door -
Perched, and sat, and nothing more.

Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore,
'Though thy crest be shorn and shaven, thou,' I said, 'art sure no craven.
Ghastly grim and ancient raven wandering from the nightly shore -
Tell me what thy lordly name is on the Night's Plutonian shore!'
Quoth the raven, 'Nevermore.'

Much I marvelled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning - little relevancy bore;
For we cannot help agreeing that no living human being
Ever yet was blessed with seeing bird above his chamber door -
Bird or beast above the sculptured bust above his chamber door,
With such name as 'Nevermore.'

But the raven, sitting lonely on the placid bust, spoke only,
That one word, as if his soul in that one word he did outpour.
Nothing further then he uttered - not a feather then he fluttered -
Till I scarcely more than muttered 'Other friends have flown before -
On the morrow he will leave me, as my hopes have flown before.'
Then the bird said, 'Nevermore.'

Startled at the stillness broken by reply so aptly spoken,
'Doubtless,' said I, 'what it utters is its only stock and store,
Caught from some unhappy master whom unmerciful disaster
Followed fast and followed faster till his songs one burden bore -
Till the dirges of his hope that melancholy burden bore
Of "Never-nevermore."'

But the raven still beguiling all my sad soul into smiling,
Straight I wheeled a cushioned seat in front of bird and bust and door;
Then, upon the velvet sinking, I betook myself to linking
Fancy unto fancy, thinking what this ominous bird of yore -
What this grim, ungainly, ghastly, gaunt, and ominous bird of yore
Meant in croaking 'Nevermore.'

This I sat engaged in guessing, but no syllable expressing
To the fowl whose fiery eyes now burned into my bosom's core;
This and more I sat divining, with my head at ease reclining
On the cushion's velvet lining that the lamp-light gloated o'er,
But whose velvet violet lining with the lamp-light gloating o'er,
She shall press, ah, nevermore!

Then, methought, the air grew denser, perfumed from an unseen censer
Swung by Seraphim whose foot-falls tinkled on the tufted floor.
'Wretch,' I cried, 'thy God hath lent thee - by these angels he has sent thee
Respite - respite and nepenthe from thy memories of Lenore!
Quaff, oh quaff this kind nepenthe, and forget this lost Lenore!'
Quoth the raven, 'Nevermore.'

'Prophet!' said I, 'thing of evil! - prophet still, if bird or devil! -
Whether tempter sent, or whether tempest tossed thee here ashore,
Desolate yet all undaunted, on this desert land enchanted -
On this home by horror haunted - tell me truly, I implore -
Is there - is there balm in Gilead? - tell me - tell me, I implore!'
Quoth the raven, 'Nevermore.'

'Prophet!' said I, 'thing of evil! - prophet still, if bird or devil!
By that Heaven that bends above us - by that God we both adore -
Tell this soul with sorrow laden if, within the distant Aidenn,
It shall clasp a sainted maiden whom the angels named Lenore -
Clasp a rare and radiant maiden, whom the angels named Lenore?'
Quoth the raven, 'Nevermore.'

'Be that word our sign of parting, bird or fiend!' I shrieked upstarting -
'Get thee back into the tempest and the Night's Plutonian shore!
Leave no black plume as a token of that lie thy soul hath spoken!
Leave my loneliness unbroken! - quit the bust above my door!
Take thy beak from out my heart, and take thy form from off my door!'
Quoth the raven, 'Nevermore.'

And the raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pallas just above my chamber door;
And his eyes have all the seeming of a demon's that is dreaming,
And the lamp-light o'er him streaming throws his shadow on the floor;
And my soul from out that shadow that lies floating on the floor
Shall be lifted - nevermore!

Thursday, October 28, 2010

Solesmes and Dom Guéranger

In this month a millennium ago was founded a Benedictine monastery in Solesmes, a priory of the nearby abbey at Le Mans. Unlike such other antique monasteries as Monte Cassino or Cluny or Cîteaux, the importance of Solesmes lies not in its remote past, but rather in its much nearer history.

Throughout the modern period, monasticism, once and likely still the mystical core of the Church, diminished gravely, to the point that, the author of the linked article notes, only 30 Benedictine abbeys remained in Europe in the early 19th century. Even so fine an place as this was up for sale, and was bought by l'Abbé Prosper Guéranger, a local priest, and was soon made an abbey with Guéranger as abbot. Dom Guéranger came to make Solesmes a shining beacon of a Catholicism battered by revolution and apostasy, but still in the end triumphant over the world with Christ, her king and judge. Monastic life came to be renewed here, as well as Gregorian chant. The Liturgical Movement, so influential on such popes as St. Pius X and Benedict XVI, could even be said to have started here, and all affected by the revolutionism and iconoclasm so prevalent in this day, in Church and society alike, can look to the great work of Solesmes as both analogy and precursor to the struggles faced today.

Gary Potter and the Saint Benedict Center (always an excellent source) speak more about Dom Guéranger here:

We need to remember this was 1831. The liberal monarchy of Louis-Philippe was less than a year old. One of its first actions had been to crush the effort to revive a Trappist monastery in the Diocese of Nantes. (The monks were dispersed and the abbot thrown into prison.) Fr. Guéranger’s “aspirations” seemed pure folly in the circumstances.

Still, as he would write in another passage of his incomplete autobiography: “My youth, the complete lack of temporal resources, and the limited reliability of those with whom I hoped to associate — none of these things stopped me. I would not have dreamed of it; I felt myself pushed to proceed. I prayed with all my heart for the help of God; but it never occurred to me to ask His will concerning the projected work.”

That last statement may surprise us, but Dom Guéranger explains: “The need of the Church seemed to me so urgent, the ideas about true Christianity so falsified and so compromised in the lay and ecclesiastical worlds, that I felt nothing but an urgency to found some kind of center wherein to recollect and revive pure traditions.”

Wednesday, October 27, 2010

In Hoc Signo Vinces

On this date in 312, after seeing the vision described below, Emperor Constantine I defeated Maxentius at the Milvian Bridge, paving the ground for his becoming undisputed emperor and ending the anarchy that had been engulfing the world for so long. Constantine became the first emperor to openly profess Christianity, and his reign could be considered the transition from the classical age to the age of Christendom.

Accordingly he called on him with earnest prayer and supplications that he would reveal to him who he was, and stretch forth his right hand to help him in his present difficulties. And while he was thus praying with fervent entreaty, a most marvelous sign appeared to him from heaven, the account of which it might have been hard to believe had it been related by any other person. But since the victorious emperor himself long afterwards declared it to the writer of this history, when he was honored with his acquaintance and society, and confirmed his statement by an oath, who could hesitate to accredit the relation, especially since the testimony of after-time has established its truth? He said that about noon, when the day was already beginning to decline, he saw with his own eyes the trophy of a cross of light in the heavens, above the sun, and bearing the inscription, Conquer by this. At this sight he himself was struck with amazement, and his whole army also, which followed him on this expedition, and witnessed the miracle.


He said, moreover, that he doubted within himself what the import of this apparition could be. And while he continued to ponder and reason on its meaning, night suddenly came on; then in his sleep the Christ of God appeared to him with the same sign which he had seen in the heavens, and commanded him to make a likeness of that sign which he had seen in the heavens, and to use it as a safeguard in all engagements with his enemies.


At dawn of day he arose, and communicated the marvel to his friends: and then, calling together the workers in gold and precious stones, he sat in the midst of them, and described to them the figure of the sign he had seen, bidding them represent it in gold and precious stones. And this representation I myself have had an opportunity of seeing.


Now it was made in the following manner. A long spear, overlaid with gold, formed the figure of the cross by means of a transverse bar laid over it. On the top of the whole was fixed a wreath of gold and precious stones; and within this, the symbol of the Saviour's name, two letters indicating the name of Christ by means of its initial characters, the letter P being intersected by X in its centre: and these letters the emperor was in the habit of wearing on his helmet at a later period. From the cross-bar of the spear was suspended a cloth, a royal piece, covered with a profuse embroidery of most brilliant precious stones; and which, being also richly interlaced with gold, presented an indescribable degree of beauty to the beholder. This banner was of a square form, and the upright staff, whose lower section was of great length, bore a golden half-length portrait of the pious emperor and his children on its upper part, beneath the trophy of the cross, and immediately above the embroidered banner.


The emperor constantly made use of this sign of salvation as a safeguard against every adverse and hostile power, and commanded that others similar to it should be carried at the head of all his armies.

--
Eusebius, Life of Constantine

Sunday, October 24, 2010

Port-Royal Captured, 1710

A recent anniversary:

The handful of French soldiers defending Acadie were hungry and tired of war on Monday, October 6, 1710, when ships from New England returned to the Annapolis Basin, this time under the command of Francis Nicholson, and under the eye of Samuel Vetch, an ambitious Scotsman who had a promise of governorship of Canada if he could take it from the French. Vetch had put together the attacking force and made Nicholson it commander in chief.

This time, the siege lasted a week, but Subercase did not have the men or material he needed. On Saturday, October 11, Subercase wrote to Nicholson, "I now write to you to tell you, Sir, that for to (sic) prevent the spilling of both English and French Blood, I am ready to hold up both hands for a Capitulation that will be honorable to both of us."

The final articles of surrender were signed on October 13, 1710. They decreed, among other things, that inhabitants of Port Royal "within cannon shot of the fort...shall remain upon their estates, with their corn, cattle, and furniture...they taking the Oaths of Allegiance and Fidelity to Her Sacred Majesty of Great Britain."

The banner of France was raised for the last time at Port Royal at sunrise on Thursday, October 16, 1710. Midway through the morning, French officials and soldiers and their families, 258 people, paraded from the little fort, boarded British ships, and sailed for home. As they left, British and American troops and officers marched into the fort, hoisted the Union Jack, toasted Queen Anne, and gave the town her name. It has been Annapolis Royal since then.

In 1713, the Treaty of Utrecht ended the War of Spanish Succession in Europe. It ceded Acadie and Newfoundland to England. This time it stayed in British hands.

According to the language of the treaty, "...all Nova Scotia or Acadie, with its ancient Boundaries; as also the City of Port Royal, now called Annapolis Royal, and all other things in those Parts, which depend on the said Lands and Islands; together with the Dominion, Propriety, and Possession of the said Islands, Lands, and Places; and all Right whatsoever, by Treaties, or by any other way obtained, which the most Christian King, the Crown of France, or any of the Subjects thereof, have hitherto had to the said Islands, Lands, and Places, and the Inhabitants of the same, are yielded and made over to the Queen of Great Britain and to her Crown for ever."


Vive l'Acadie.

750th anniversary of the consecration of Chartres Cathedral

On this date in 1260, 750 years ago, was consecrated Cathédrale Notre-Dame de Chartres, perhaps the finest example of Gothic ecclesiastical architecture and one of the greatest temples of Christendom, in the presence of King St. Louis IX and the royal family.

Therefore, when we, and the crushed crowd of kneeling worshippers around us, lift our eyes at last after the miracle of the mass, we see, far above the high altar, high over all the agitation of prayer, the passion of politics, the anguish of suffering, the terrors of sin, only the figure of the Virgin in majesty, looking down on her people, crowned, throned, glorified, with the infant Christ on her knees. She does not assert herself; probably she intends to be felt rather than feared. Compared with the Greek Virgin, as you see her, for example, at Torcello, the Chartres Virgin is retiring and hardly important enough for the place. She is not exaggerated either in scale, drawing, or colour. She shows not a sign of self-consciousness, not an effort for brilliancy, not a trace of stage effect--hardly even a thought of herself, except that she is at home, among her own people, where she is loved and known as well as she knows them. The seven great windows are one composition; and it is plain that the artist, had he been ordered to make an exhibition of power, could have overwhelmed us with a storm of purple, red, yellows, or given us a Virgin of Passion who would have torn the vault asunder; his ability is never in doubt, and if he has kept true to the spirit of the western portal and the twelfth-century, it is because the Virgin of Chartres was the Virgin of Grace, and ordered him to paint her so. One shudders to think how a single false note--a suggestion of meanness, in this climax of line and colour--would bring the whole fabric down in ruins on the eighteenth-century meanness of the choir below; and one notes, almost bashfully, the expedients of the artists to quiet their effects. So the lines of the seven windows are built up, to avoid the horizontal, and yet not exaggerate the vertical.

The architect counts here for more than the colourist; but the colour, when you study it, suggests the same restraint. Three great windows on the Virgin's right, balanced by three more on her left, show the prophets and precursors of her Son; all architecturally support and exalt the Virgin, in her celestial atmosphere of blue, shot with red, calm in the certainty of heaven. Any one who is prematurely curious to see the difference in treatment between different centuries should go down to the church of Saint Pierre in the lower town, and study there the methods of the Renaissance. Then we can come back to study again the ways of the thirteenth century. The Virgin will wait; she will not be angry; she knows her power; we all come back to her in the end.

Or the Renaissance, if one prefers, can wait equally well, while one kneels with the thirteenth century, and feels the little one still can feel of what it felt. Technically these apsidal windows have not received much notice; the books rarely speak of them; travellers seldom look at them; and their height is such that even with the best glass, the quality of the work is beyond our power to judge. We see, and the artists meant that we should see, only the great lines, the colour, and the Virgin. The mass of suppliants before the choir look up to the light, clear blues and reds of this great space, and feel there the celestial peace and beauty of Mary's nature and abode. There is heaven! and Mary looks down from it, into her church, where she sees us on our knees, and knows each one of us by name. There she actually is--not in symbol or in fancy, but in person, descending on her errands of mercy and listening to each one of us, as her miracles prove, or satisfying our prayers merely by her presence which calms our excitement as that of a mother calms her child. She is there as Queen, not merely as intercessor, and her power is such that to her the difference between us earthly beings is nothing. Her quiet, masculine strength enchants us most. Pierre Mauclerc and Philippe Hurepel and their men-at-arms are afraid of her, and the Bishop himself is never quite at his ease in her presence; but to peasants, and beggars, and people in trouble, this sense of her power and calm is better than active sympathy. People who suffer beyond the formulas of expression--who are crushed into silence, and beyond pain--want no display of emotion--no bleeding heart--no weeping at the foot of the Cross--no hysterics--no phrases! They want to see God, and to know that He is watching over His own. How many women are there, in this mass of thirteenth century suppliants, who have lost children? Probably nearly all, for the death rate is very high in the conditions of medieval life. There are thousands of such women here, for it is precisely this class who come most; and probably every one of them has looked up to Mary in her great window, and has felt actual certainty, as though she saw with her own eyes--there, in heaven, while she looked--her own lost baby playing with the Christ-Child at the Virgin's knee, as much at home as the saints, and much more at home than the kings. Before rising from her knees, every one of these women will have bent down and kissed the stone pavement in gratitude for Mary's mercy. The earth, she says, is a sorry place, and the best of it is bad enough, no doubt, even for Queen Blanche and the Duchess Alix who has had to leave her children here alone; but there above is Mary in heaven who sees and hears me as I see her, and who keeps my little boy till I come; so I can wait with patience, more or less! Saints and prophets and martyrs are all very well, and Christ is very sublime and just, but Mary knows!


--Henry Adams, "Mont Saint Michel and Chartres"

More glorious images of Chartres may be found here.

From the end of the pilgrimage to Chartres this past Pentecost:

Thursday, October 21, 2010

Blessed Charles of Austria, the Last Emperor

A Christian Soldier and Catholic Monarch

On June 28, 1914, word is sent from Sarajevo that the Heir Apparent, Archduke Franz Ferdinand, is assassinated, making Karl the new Heir Apparent and changing his life forever. As a consequence of the assassination, war breaks out and quickly engulfs Europe. Karl is called to lead various military actions, and comports himself with valor and honor. He leads victorious efforts on the eastern and southern fronts, and is known for incorporating his moral convictions into his battle plans. In Italy, he commands his officers to avoid needless bloodshed, and:

. . . to ensure that the wounded are taken care of as quickly as possible and that the troops are always provided for as well as possible…I forbid the order to take no prisoners…I forbid most emphatically stealing and plundering and wanton destruction. Every soldier in the 20th Corps must be filled with the conviction that we are the bearers of culture, even in the land of traitors.

For Karl, the culture he bears is Christianity, and in the face of being in a war he considers immoral, he insists that he and the army act morally.

In the midst of war, Karl is summoned to the side of a weary and elderly Emperor Franz Josef. On November 30, 1916, Karl is near the Emperor’s deathbed praying the rosary with Zita when he hears the words “Your Majesty” addressed to him for the first time. His first priority as Emperor is to bring peace and security back to Europe and his empire. He begins secret peace negotiations through his brother-in-laws, the Princes Sixtus and Xavier of Bourbon-Parma, who are in a position to smuggle letters from Karl to the Entente leaders in France and England. These negotiations occur from November 22, 1916 through February 20, 1917, when a new government in Paris puts a halt to the talks.

He begins a second series of attempts that last until the end of the war. In these negotiations, his Foreign Minister Count Czernin and the French Representative Count Armand, discuss terms in Switzerland. However, these talks come to nothing, and are damaged by the French revelation to the world press of the “Sixtus Affair.” The leak also hurt Karl’s reputation and ability to function as an intermediary in the effort to bring peace to the world.

Pope Benedict XV proposes a plan for peace as well, but only Emperor Karl accepts the Pontiff’s solutions—the other belligerents are intent on continuing the war for their own selfish advantages. With the advent of the United States in the war, President Wilson issues “Fourteen Points” necessary for the war’s conclusion. Karl accepts all of them, but by this time the Entente no longer recognizes him as a legitimate ruler.

Although Karl’s attention is focused on peace throughout his reign, the Emperor still has to wage a war that is not of his making, and care for his suffering people. Upon his accession to the throne, he grants a general amnesty.

Militarily he prohibits the fighting of duels, and the practices of flogging and binding wrists to ankles. He despises and forbids the use of mustard gas on the enemy, and the employment of submarine warfare. He orders that soldiers, prisoners, and the wounded must be humanely treated, and creates a great books program for soldiers. Whenever possible he commutes death sentences— both military and civil.

Civilly, he organizes soup kitchens, uses the palace’s horses and carriages to deliver coal to the Viennese, he fights against usury and corruption, and gives away his personal wealth— distributing alms beyond his means. He is the first world leader to establish a Ministry of Social Welfare, which is commissioned to deal with youth welfare, the war-disabled, widows, orphans, social insurance, labor rights and protection, job placement, unemployment relief and emigration protection and housing.

Spiritually, Emperor Karl shares in the same privations as his people, and orders the palace to observe food rationing and smaller portions. He invokes the name of God in all decrees and governmental acts, creates a Catholic press, and plans the building of more churches in Vienna to serve the growing needs of the faithful.

Exile, Restoration Attempts and Death

Despite working himself to exhaustion, the war continues to erode the empire until it collapses on November 11, 1918. The war is finally over, but so too is the concord of the Habsburg Empire. Karl is asked to abdicate, but he refuses, stating that his crown is a sacred trust from God, and he will never betray God, his subjects, or his dynastic inheritance. His ministers finally coerce him to withdraw from personal participation in government, and go into seclusion with his family at a family-hunting lodge in Eckartsau. However, the new, socialist government continues to deem Emperor Karl a threat because he has not abdicated; so they send him into exile in Switzerland.

In Switzerland the family lives a quiet, humble lifestyle for a time—until the Emperor hears from many of his subjects begging him to return to his Hungarian Kingdom and take the reins of power once more. Karl makes two attempts to regain his throne. During the first attempt, his regent, Admiral Horthy, persuades the Emperor that the time is not yet auspicious, and that he should return to Switzerland until all of the necessary preparations are made. When it becomes clear that Horthy has betrayed him, and plans to illegally retain power, Karl makes a second attempt, which has the support of the people who appeal to his coronation oath. Furthermore, a“White Terror” against Jews, union members and political opponents is taking place in Hungary. However, Horthy once again betrays his true monarch, arrests him and hands him over to the Entente as a prisoner. Zita accompanies him on the second attempt, and joins him on the long journey into final exile on the island of Madeira.

On Madeira, the Imperial Couple is penniless, without any means to support themselves. Their children, who are initially kept separated from them, do not join their parents for several months. Finally, the family is reunited on February 2, 1922, and the family takes comfort in each other’s presence.

Their joy is short-lived, when a few weeks later Karl becomes ill with pneumonia and influenza. Emperor Karl prays and suffers for several days, saying: “I must suffer like this so that my peoples can come together again.” When he realizes he is dying, he calls his son, Archduke Otto, to his bedside to say goodbye and to show him “how a Catholic and Emperor conducts himself when dying.”

On April 1, 1922, he whispers to his wife, “I long so much to go home with you. Why won’t they let us go home?” She holds him in her arms for most of the morning, and he receives Holy Communion and the Sacrament of the Dying. The Eucharist is exposed in his bedroom, and Karl tries to hold a crucifix in his hands. Shortly after noon, he tries to kiss the crucifix and whispers: “Thy Holy Will be done. Jesus, Jesus, come! Yes—yes. My Jesus, Thy Will be done— Jesus.” He whispers “Jesus” a final time and expires. The Peace Emperor, husband, father, and man of faith, is dead at the age of 34. more

Andrew Cusack speaks more about the last emperor here.